\u00c7ocuk Horus (Harpokrates, Harpocrates)<\/p>\n\n\n\n
\u00d6ld\u00fcr\u00fclen Osiris<\/strong>‘in, k\u0131z karde\u015fi ve e\u015fi olan \u0130sis<\/strong>‘ten olan \u00f6l\u00fcm sonras\u0131 o\u011flu, \u00c7ocuk Horus<\/strong> olarak bilinirdi. M\u0131s\u0131r dilindeki “Hor pa khered”<\/strong> (“\u00c7ocuk Horus”) ifadesi, Yunanl\u0131lar taraf\u0131ndan Harpokrates<\/strong> olarak Latinceye \u00e7evrilmi\u015ftir. M\u0131s\u0131r sanat\u0131nda k\u00fc\u00e7\u00fck \u00e7ocuklar geleneksel olarak \u00e7\u0131plak, ba\u015flar\u0131 tra\u015fl\u0131 ve tek bir \u00f6rg\u00fcl\u00fc sa\u00e7 l\u00fcleleriyle g\u00f6sterildi\u011fi i\u00e7in, \u00c7ocuk Horus da bu \u015fekilde tasvir edilir. O, bir\u00e7ok tap\u0131nakta ilahi \u00fc\u00e7l\u00fclerin \u00fc\u00e7\u00fcnc\u00fc \u00fcyesini olu\u015fturan \u00e7ocuk tanr\u0131lar\u0131n en \u00f6nemlisiydi. Bu t\u00fcr \u00e7ocuk tanr\u0131lar\u0131n M\u0131s\u0131r mitolojisinde ve ikonografisinde iki ana i\u015flevi vard\u0131. Birincisi, kozmosun yenilenmesini simgelemekti. \u0130kincisi ise, kozmik d\u00fczeni tehdit eden vah\u015fi yarat\u0131klar\u0131 alt etmekti. Her iki rolde de \u00e7ocuk tanr\u0131lar\u0131, c\u00fcce tanr\u0131larla yer de\u011fi\u015ftirebilirdi.<\/p>\n\n\n\n \u0130sis’in hamileli\u011finin al\u0131\u015f\u0131lmad\u0131k derecede uzun ve do\u011fumunun sanc\u0131l\u0131 ve zor oldu\u011fu s\u00f6ylenir. \u0130sis, bebek Horus’u, Osiris’in katili olan Seth<\/strong>‘ten korumak i\u00e7in Delta’daki papir\u00fcs \u00e7al\u0131l\u0131klar\u0131nda saklamak zorunda kalm\u0131\u015ft\u0131r. Bu durum, daha \u00f6nceki bir mitolojik olay\u0131 yans\u0131t\u0131yordu: g\u00fcne\u015f \u00e7ocu\u011funun, ilkel bir tanr\u0131\u00e7a taraf\u0131ndan kaos sular\u0131n\u0131n canavarca sakinlerinden korunmas\u0131 gereken lotustan \u00e7\u0131k\u0131\u015f\u0131. G\u00fcne\u015f \u00e7ocu\u011fu, ilk g\u00fcn do\u011fumunda yarat\u0131l\u0131\u015f i\u015fine ba\u015flamaya, Horus \u00e7ocu\u011fu ise b\u00fcy\u00fcy\u00fcp M\u0131s\u0131r’\u0131n me\u015fru kral\u0131 oldu\u011funda yery\u00fcz\u00fcndeki ilahi d\u00fczeni kurmaya yazg\u0131l\u0131yd\u0131. Her iki \u00e7ocuk da gelecek i\u00e7in g\u00fc\u00e7l\u00fc umut sembolleriydi ve aralar\u0131ndaki imgeler serbest\u00e7e ge\u00e7i\u015f yapard\u0131.<\/p>\n\n\n\n Piramit Metinleri’ndeki y\u0131lanlar\u0131 kovmaya y\u00f6nelik bir b\u00fcy\u00fc, “parma\u011f\u0131n\u0131 a\u011fz\u0131na koyan bebek” Horus’tan bahseder. M\u0131s\u0131r krallar\u0131, Horus’un ya\u015fam d\u00f6ng\u00fcs\u00fcn\u00fcn bebeklik ve gen\u00e7lik a\u015famalar\u0131yla yak\u0131ndan \u00f6zde\u015fle\u015ftirilirdi. Pepy II<\/strong> (M\u00d6 y. 2278-2184) ya \u00e7\u0131plak bir \u015fekilde, parma\u011f\u0131 dudaklar\u0131nda \u00e7\u00f6melmi\u015f ya da annesinin kuca\u011f\u0131nda otururken \u00c7ocuk Horus olarak g\u00f6sterilen ilk kral olmu\u015ftur. Orta ve Yeni Krall\u0131k’\u0131n g\u00fc\u00e7l\u00fc h\u00fck\u00fcmdarlar\u0131, kendilerini papir\u00fcs \u00e7al\u0131l\u0131klar\u0131nda ilahi inekten s\u00fct emen gen\u00e7 Horus olarak tasvir ederek tanr\u0131lara olan ba\u011f\u0131ml\u0131l\u0131klar\u0131n\u0131 kabul etmi\u015flerdir. M\u00d6 birinci biny\u0131l boyunca, \u00e7ocuk tanr\u0131lar\u0131 genellikle bir\u00e7ok farkl\u0131 tanr\u0131\u00e7ayla \u00f6zde\u015fle\u015ftirilebilen ilahi bir annenin kuca\u011f\u0131nda otururken g\u00f6sterilirdi. Dendara’da Ihy<\/strong> ve Harsomatus<\/strong> (“\u0130ki Diyar\u0131n Birle\u015ftiricisi Horus”), Hathor<\/strong>‘un \u00e7ocuklar\u0131yd\u0131. Medamud’da ise \u00c7ocuk Horus, g\u00fcne\u015f tanr\u0131\u00e7as\u0131 Raet-tawy<\/strong>‘nin o\u011fluydu. Bu t\u00fcr \u00e7ocuk tanr\u0131lar\u0131, kendi g\u00fc\u00e7lerini \u00fcstlenmeden \u00f6nce, korkutucu annelerini yat\u0131\u015ft\u0131rmak veya onlar\u0131 alt etmek zorundayd\u0131.<\/p>\n\n\n\n Bu \u00e7ocuk tanr\u0131lar\u0131n daha g\u00fc\u00e7l\u00fc y\u00f6n\u00fc, Shed<\/strong> (Kurtar\u0131c\u0131) olarak bilinen bir Horus formuyla temsil edilebilirdi. O, ge\u00e7 Yeni Krall\u0131k stellerinde, yay\u0131 veya kavisli k\u0131l\u0131c\u0131yla tehlikeli hayvanlar\u0131 yenen bir prens olarak giyinmi\u015f bir \u015fekilde ortaya \u00e7\u0131km\u0131\u015ft\u0131r. Bu, cippus<\/strong> olarak bilinen b\u00fcy\u00fcl\u00fc stel t\u00fcr\u00fcn\u00fcn bir \u00f6nc\u00fcs\u00fcyd\u00fc. Bu stellerde, \u00e7\u0131plak \u00c7ocuk Horus, timsahlar\u0131n \u00fczerinde tepinir ve y\u0131lanlar, aslanlar ve antiloplar gibi di\u011fer tehlikeli yarat\u0131klar\u0131n hayat\u0131n\u0131 s\u0131karak yok eder. Yunanl\u0131lar bu t\u00fcr nesneleri g\u00f6rd\u00fcklerinde, \u00c7ocuk Horus\/Harpokrates’i, be\u015fi\u011finde kendisine sald\u0131ran iki y\u0131lan\u0131 bo\u011fan bebek Herakles<\/strong> (Herk\u00fcl) ile \u00f6zde\u015fle\u015ftirmi\u015flerdir. Roma D\u00f6nemi’nde, Harpokrates pop\u00fcler bir muska sembol\u00fc haline gelmi\u015f ve genellikle b\u00fcy\u00fcl\u00fc m\u00fccevherlere oyulmu\u015ftur. B\u00fcy\u00fcl\u00fc b\u00fcy\u00fcler yapmak i\u00e7in en etkili zaman\u0131n \u015fafak oldu\u011fu d\u00fc\u015f\u00fcn\u00fcld\u00fc\u011f\u00fc i\u00e7in, \u015fafak tanr\u0131s\u0131 olarak sayg\u0131 g\u00f6r\u00fcyordu.<\/p>\n\n\n\n Plutarkhos<\/strong> (MS y. 46-126), Harpokrates’in \u0130sis’in erken do\u011fmu\u015f ve \u00e7arp\u0131k bacakl\u0131 ikinci o\u011flu oldu\u011funu d\u00fc\u015f\u00fcnm\u00fc\u015ft\u00fcr. Cippus’lardaki Horus fig\u00fcrleri, genellikle \u00e7arp\u0131k bacakl\u0131 c\u00fcce tanr\u0131 Bes<\/strong>‘in v\u00fccuduna benzeyen bir v\u00fccuda sahiptir. \u00c7o\u011fu cippus’ta Bes’in maskesi bulunur ve \u00c7ocuk Horus, Bes’in iblisleri kovan ve kad\u0131nlar\u0131 ve \u00e7ocuklar\u0131 koruyan rol\u00fcn\u00fc devralm\u0131\u015f gibi g\u00f6r\u00fcnmektedir. \u00c7ocuk Horus’un kaotik hayvanlar\u0131 yendi\u011fi muzaffer g\u00f6rsel imaj\u0131na ra\u011fmen, cippus’lar ve b\u00fcy\u00fcl\u00fc heykeller \u00fczerindeki metinler genellikle Horus’un bir y\u0131lan veya akrep taraf\u0131ndan nas\u0131l zehirlendi\u011fini anlat\u0131r. Annesi \u0130sis, onu iyile\u015ftirmek i\u00e7in sihrini kullanmak veya yarat\u0131c\u0131 g\u00fcne\u015f tanr\u0131s\u0131n\u0131n g\u00fcc\u00fcne ba\u015fvurmak zorunda kalm\u0131\u015ft\u0131r. \u00c7ocuk Horus’un iyile\u015fmesi, tanr\u0131lar\u0131n ac\u0131 \u00e7eken insanl\u0131\u011fa bakma s\u00f6z\u00fcn\u00fc temsil etmeye ba\u015flam\u0131\u015ft\u0131r.<\/p>","protected":false},"excerpt":{"rendered":" \u00c7ocuk Horus (Harpokrates, Harpocrates) \u00d6ld\u00fcr\u00fclen Osiris‘in, k\u0131z karde\u015fi ve e\u015fi olan \u0130sis‘ten olan \u00f6l\u00fcm sonras\u0131 o\u011flu, \u00c7ocuk Horus olarak bilinirdi. M\u0131s\u0131r dilindeki “Hor pa khered” (“\u00c7ocuk Horus”) ifadesi, Yunanl\u0131lar taraf\u0131ndan Harpokrates olarak Latinceye \u00e7evrilmi\u015ftir. M\u0131s\u0131r sanat\u0131nda k\u00fc\u00e7\u00fck \u00e7ocuklar geleneksel olarak \u00e7\u0131plak, ba\u015flar\u0131 tra\u015fl\u0131 ve tek bir \u00f6rg\u00fcl\u00fc sa\u00e7 l\u00fcleleriyle g\u00f6sterildi\u011fi i\u00e7in, \u00c7ocuk Horus da bu … <\/p>\n